reliquary, 2022, timber, lead, vinyl, shielding, fixings. Dimensions variable. Photography by Sam Roberts

Countless Afterlives examines the material history of atomic technology and its relationships with funerary architecture. Glass, lead, and radiation have played a vital part in the advancement of atomic technologies in Australia and globally, including nuclear weapons testing. These materials also have a long history in relation to their use in funerary architecture and rituals of death, from European antiquity to settler-colonial Australia. Initially shown as part of ACE’s Studios 2022 exhibition, these objects draw parallel narratives within Australia’s legacy of nuclear weapons testing and a global nuclear anxiety, combined with contemporary drone viewfinders, and rendered in lead (a material with long-standing associations to both radiation protection and funerary ritual).

neon genesis, 2022, Copper plate etching. 150 x 100 mm. Photography by Sam Roberts

ord[i]nance III, 2022, lead, marbled paper, archive box. 200 x 150 x 40 mm. Photography by Sam Roberts

reliquary (Detail), 2022, timber, lead, vinyl, shielding, fixings. Dimensions variable. Photography by Sam Roberts